Actors, social worlds, positions:
Digitalisation in music classrooms from the perspective of teachers
DOI:
https://doi.org/10.62563/bem.v17i2.274Keywords:
Musikunterricht, Digitalisierung, Musiklehrkräfte, Fortbildung, Digitale TechnologienAbstract
The article examines the role of music teachers in the context of the digitalisation of music education. Guided interviews with six teachers and the application of mapping techniques reveal social worlds, discursive fields, and positions. The results show complex relationships between teachers, technologies and institutional frameworks, as well as the influence of non-human actors on the research field. The results illustrate tensions between pragmatic tool use and didactic orientation, as well as between individual responsibility and systemic support. A developed heuristic position map systematizes further training needs along these axes and serves as a basis for differentiated further training concepts that are tailored to the heterogeneous needs of teachers.
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Copyright (c) 2025 Johannes Treß

This work is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License.
Bulletin of Empirical Music Education Research (b:em) is published as an open access online journal. All articles are freely accessible online free of charge, there are no publication fees (Diamond Open Access). The standard licensing of the articles is CC BY-NC 4.0 (Creative Commons Attribution-Non Commercial 4.0 International (CC BY-NC 4.0))
